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Discovering the Art of Photogravure: A Journey Through Printmaking

  • Writer: Pat Pitcher
    Pat Pitcher
  • Nov 7
  • 4 min read

Updated: 3 days ago

As an artist, I’ve always been drawn to the tactile beauty of printmaking. The smell of the ink, the texture of the paper, and the surprise that comes when the press reveals something entirely new captivate me. My journey into photogravure began when I wanted to merge my love of photography with my printmaking practice. I sought a way to bring my photographic imagery—those fleeting moments of light and form—into the world of handmade prints. That’s when I discovered photogravure, a process that beautifully bridges photography and intaglio printmaking.


What is Intaglio Printmaking?


Intaglio (pronounced in-TAHL-yo) is one of the oldest forms of printmaking, dating back to the 15th century. In this process, an image is incised—either etched or engraved—into a metal plate, most often copper or zinc. Ink is then worked into those incised lines, and the surface of the plate is carefully wiped clean. When damp paper is pressed onto the plate under great pressure, the ink from the recessed lines transfers to the paper, revealing the printed image.


The result is rich, detailed, and often deeply textured. Each print carries the subtle marks of the artist’s hand and the unique pressure of the press. These qualities make every impression slightly different and truly original.


What is Photogravure?


Photogravure builds on the same foundation as intaglio but replaces the hand-drawn lines with photographic ones. Instead of using acid to etch a drawing, the artist transfers a photographic image onto a light-sensitive plate. Traditionally, this plate is copper, though modern photopolymer plates are often used.


The process begins with a digital or film image that’s converted into a transparent film positive. This is exposed onto the plate under ultraviolet light, creating a delicate pattern of tiny dots that hold varying amounts of ink. Once developed, the plate is inked and wiped just like a traditional intaglio plate, and then printed through a press.


The beauty of photogravure lies in its tonal depth—the velvety blacks, the subtle grays, and the luminous highlights. It allows a photograph to take on a physical, hand-printed presence that no digital print can replicate.


Did You Know? Many contemporary printmakers use photopolymer plates to create intaglio prints. This modern approach—sometimes called photogravure or photopolymer gravure—uses light instead of acid to etch the image. However, the inking, wiping, and printing steps remain identical to traditional intaglio. So yes, if you’re printing from a photopolymer plate, you’re absolutely making an intaglio print!

How Are They Similar—and Different?


Both photogravure and intaglio belong to the same printmaking family. The shared steps of inking, wiping, and pressing mean they feel familiar to any printmaker. Yet their starting points are different: intaglio begins with the artist’s hand and tool, while photogravure begins with light and image.


In photogravure, the photograph becomes a living part of the print. The texture of ink and paper enhances its mood and gives it permanence. In intaglio, the artist’s lines and etched marks carry that expressive weight directly from hand to metal.


In the end, both processes celebrate patience, craftsmanship, and the beauty of transformation. They show how an idea, whether drawn or captured, becomes something tangible through ink and pressure.


A Bridge Between Two Worlds


For me, photogravure opened a door. It allowed my photographs—many inspired by nature, wildlife, and the layered textures I encounter in my travels—to exist in dialogue with my printmaking. It’s where my camera’s eye meets my brayer and press, where the fleeting becomes lasting.


Each print, whether created through intaglio or photogravure, carries a sense of discovery. It reminds me that the magic of printmaking lies not just in technique, but in the quiet alchemy of transforming light into line, and image into art.


A Note to Aspiring Printmakers


If you’re curious about trying photogravure or intaglio yourself, I highly recommend beginning with a workshop taught by an experienced print master. These processes require careful handling, the right materials, and an understanding of the press.


Learning directly from someone who has spent years refining the craft is invaluable. It’s also inspiring. Once you’ve seen the process in action, you’ll appreciate just how magical these techniques truly are.


The Importance of Original Art


In a world filled with mass-produced items, original art stands out. It adds character and warmth to any space. Unique pieces can transform a room, making it feel more personal and inviting.


Investing in original art is not just about decoration. It’s about supporting artists and their craft. Each piece tells a story and carries the artist's passion. When you choose original art, you bring a piece of that story into your home.


Conclusion


My journey in printmaking, especially in photogravure, has been fulfilling. I invite you to explore this art form. Discover the beauty of handmade prints and the stories they tell.


If you’re interested in my work, please consider subscribing to my website. Join me as I continue to share my passion for original art. Together, we can celebrate the unique beauty that art brings to our lives.

 
 
 

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