My work is driven by curiosity and the process of discovery. I collect images, marks, patterns, and found materials from everyday life, then layer them through printmaking and painting to create compositions that evolve through experimentation rather than predetermined plans.

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Working with techniques such as intaglio monotype, photogravure, chine collé, collage, and acrylic painting, I embrace the unexpected. Photographs, fragments of printed matter, gestural marks, and even discarded objects become visual elements that interact and transform one another. Each layer records a decision, a memory, or an encounter.

 

I am less interested in representing a specific place or object than in capturing the experience of moving through the world—where observations, textures, and emotions accumulate over time. My process is intuitive, allowing relationships to emerge through repetition, revision, and chance.

 

Through my work, I invite viewers to slow down, explore the layers, and discover their own connections within the image.